Brahms’ famous collections of love songs, Liebeslieder-Walzer Op. 52 and Op. 65, written for four voices and piano duet

One of the towering works of nineteenth-century German song, Schubert’s ‘Swan Song’ comprises songs written at the end of his life, published after his death.

Malachy Frame - baritone
Matthew Fletcher - piano

The Hampstead Collective presents Purcell's dramatic masterpiece

Rebecca Hardwick (soprano) Jacob Garside (cello, viola da gamba) and the Players of the Hampstead Collective present 'Agrippina’s Betrayal'; a programme centred round Handel’s Cantata of 1707 “Agrippina a condotta a morire”

Rebecca Hardwick (soprano) Jacob Garside (cello, viola da gamba) and the Players of the Hampstead Collective present 'Agrippina’s Betrayal'; a programme centred round Handel’s Cantata of 1707 “Agrippina a condotta a morire”

Written by a sixteen-year-old Felix Mendelssohn in 1825, the String Octet in E flat major is one of the highlights of all 19th-century music.

Music for voices and viols 400 years after the composer’s death.

Rebecca Hardwick (soprano)

Malachy Frame (baritone)

The Players of the Hampstead Collective

Rebecca Hardwick (soprano)

William Bracken (piano)

Rebecca Hardwick (soprano), Christine Buras (soprano), Malachy Frame (baritone), the Players of the Hampstead Collective

Schubert’s Piano Quintet in A Major D. 667, alongside Auf dem Strom D. 943 and selected Lieder

The Players of the Hampstead Collective, Steven Devine (fortepiano), Christine Buras (soprano)

This concert is supported by a grant from the Continuo Foundation

The complete songs of Henri Duparc, with selected readings from the composers letters

Christine Buras (soprano), Malachy Frame (baritone), Chad Vindin (piano), David Gardner (reader)

Sacred songs and quartets by Johannes Brahms and Charles Villiers Stanford

Geoffrey Webber (director/organ)